HELIO OITICICA SPIRIT RED PAINTINGS BOARDS WITH POLAROIDS OF WORKS FROM 1999 REDRUM TEXT 1999 MICROPHONE SPOKEN WORD MIC STAND AURAL MEDIATED IVES KLEIN AND ALLAN KAPROW FILMS RETRO-SPECTATIVE LOST DREAM ALL NIGHT ANTONIN ARTAUD DETOURNED/TUNED MAGS AND MODERN ART BOOKS
Allan Kaprow
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Allan Kaprow (23 de agosto de 1927 - 5 de abril de 2006) fue un pintor estadounidense pionero en el establecimiento de los conceptos de arte de performance.
Allan Kaprow ayudó a desarrollar las instalaciones artísticas y los happenings a fines de los años cincuenta y sesenta. Sus happenings, alrededor de doscientos, fueron evolucionando a lo largo de los años. Con el tiempo, Kaprow cambió su práctica en lo que él llamó «Actividades», relacionando íntimamente piezas para uno o varios jugadores y dedicadas al examen de los comportamientos y hábitos cotidianos de una manera casi indistinguible de la vida ordinaria. A su vez, su obra influye en Fluxus, el arte de performance y la instalación artística.
Estudió composición con John Cage en su famosa clase en la New School for Social Research, pintura con Hans Hofmann e historia del arte con Meyer Schapiro. Los trabajos de Kaprow intentan integrar el arte y la vida. A través de happenings, la separación entre vida y arte, y el artista y el público se vuelve borrosa. Publicó extensamente y fue Profesor Emérito en el Departamento de Artes Visuales de la Universidad de California, San Diego. Kaprow es conocido también por la idea de un «no-arte», que se encuentra en sus ensayos Arte que no puede ser arte y La Educación del No-artista.
Su influencia es también evidente en el Instituto de Arte de California, donde fue profesor durante los primeros años de formación.
Es célebre su frase «La línea entre el arte y la vida debe mantenerse tan fluida, y quizás indistinta, como sea posible».
[editar] Enlaces externos
* Colabora en Wikiquote Wikiquote alberga frases célebres de o sobre Allan Kaprow. Wikiquote
* Allan Kaprow, 18 Happenings en 6 partes, 9-11 de noviembre de 2006
* Entrevista con Allan Kaprow
Obtenido de "http://es.wikipedia.org/wiki/Allan_Kaprow"
Yves Klein
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Yves Klein
Yves Klein during the work on the Gelsenkirchen Opera, 1959
Born 28 April 1928(1928-04-28)
Nice
Died 6 June 1962(1962-06-06) (aged 34)
Paris, France
Nationality French
Field Artist
Movement Nouveau Réalisme
Works IKB 191 (1962)
Monotone Symphony (1949)
Yves Klein (French pronunciation: [iv klɛ̃]) (28 April 1928 – 6 June 1962) was a French artist considered an important figure in post-war European art. New York critics of Klein's time classify him as neo-Dada, but other critics, such as Thomas McEvilley in an essay submitted to Artforum in 1982, have since classified Klein as an early, though enigmatic, postmodernist.[1]
Biography
Klein was born in Nice, in the Alpes-Maritimes department of France. His parents, Fred Klein and Marie Raymond, were both painters. His father painted in a loose Post-impressionist style, whilst his mother was a leading figure in Art informel, and held regular soirées with other leading practitioners of this Parisian abstract movement.
From 1942 to 1946, Klein studied at the École Nationale de la Marine Marchande and the École Nationale des Langues Orientales and began practicing judo. At this time, he became friends with Arman Fernandez and Claude Pascal and started to paint. At the age of nineteen, Klein and his friends lay on a beach in the south of France, and divided the world between themselves; Arman chose the earth, Claude, words, whilst Yves chose the ethereal space surrounding the planet, which he then proceeded to sign:
With this famous symbolic gesture of signing the sky, Klein had foreseen, as in a reverie, the thrust of his art from that time onwards—a quest to reach the far side of the infinite.[2]
Between 1947–1948,[3] Klein conceived his Monotone Symphony (1949, formally The Monotone-Silence Symphony) that consisted of a single 20-minute sustained chord followed by a 20-minute silence[4][5] – a precedent to both La Monte Young's drone music and John Cage's silent 4′33″. During the years 1948 to 1952, he traveled to Italy, Great Britain, Spain, and Japan. In Japan, at the early age of 25, he became a master at judo receiving the rank of yodan (4th dan/degree black-belt) from the Kodokan, which at that time was a remarkable achievement for a westerner. He also stayed in Japan in 1953. Klein later wrote a book on Judo called Les fondements du judo. In 1954, Klein settled permanently in Paris and began in earnest to establish himself in the art world.
Psicotrópico (del griego psyche, "mente" y tropein, "tornar") es un agente que actúa sobre el sistema nervioso central, lo cual trae como consecuencia cambios temporales en la percepción, ánimo, estado de conciencia y comportamiento.
psy·cho·tro·pic (sk-trpk, -trpk) adj. Having an altering effect on perception or behavior. A psychotropic drug or other agent.
psychotropic [-trop?ik] Etymology: Gk, psyche + trepein, to turn exerting an effect on the mind or modifying mental activity
psychotropic (s??·k?·tr??·pik), adj concerns that that affect the mind and influence behavior. psychotropic capable of modifying mental activity.
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